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Cremisi's picture

Bred in Captivity: Stories in Their Natural and Not-So-Natural Habitats

         Any lover of books can relate to the disturbance and slight disgust one feels when a favorite piece of literature is adapted into a movie. As we have discussed in “The Stories of Evolution and the Evolution of Stories”, when a viewer sees a beloved story adapted into a film, the initial reaction is that the tale has either been whittled down, shaven, or catastrophically ruined by the cinema. The majority of the people in class agreed that there is a certain “mindlessness”--a sluggish feeling of less processing and activity in the mind--when it came to viewing a film.

tangerines's picture

The Women of the Plague

 EvoLit Web Event 3

Pestilence


Poppyflower's picture

Chocolat can Inspire Change

  

Lynn's picture

Adaptation as Deconstruction

 Avery Larson


Adaptation as Deconstruction

the.believer's picture

A Critique of the Criticism of Film Adaptations

 Jenny Cai

Stories of Evolution and Evolution of Stories

Professor Paul Grobstein

April 15, 2011

KT's picture

EXPERIENCE VERSUS MEANING

 

Fraser-Spiral

 

ems8140's picture

Tick Tock Tick Tock...Freeze: Time Orientation and The Plague

        Temporal perspective, the unconscious way in which people incorporate time into their lives through the past, present and future (Boyd & Zimbardo, 2005), plays an active role in Camus’ The Plague. To expand on one of my previous postings for my Story of Evolution & the Evolution of Stories class, the impact of subjective time on the town of Oran and its inhabitants in this novel will be explored.

jhercher's picture

The Cowboy's Hat: Metaphor and Imagery in Cinema

James Hercher

Evolution in Literature

Dalke & Grobstein

Webpaper #3

 

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