With this auspicious feature film debut, Aurora Guerrero explores the complexities of a budding friendship between two Chicana high schoolers in Los Angeles’s Huntington Park. Yolanda is stellar in her studies and makes her parents proud, while Mari has just moved to town with her undocumented family. On her first day of school, Mari is assigned to be Yolanda’s study partner. After a rocky start, the two find a bond that confuses them at times. Guerrero’s steady direction allows more intimate understanding of the girls’ aspirations and their families’ expectations.

With evocative performances from Fenessa Pineda as Yolanda and Venecia Troncoso as Mari, we experience their struggles: adjusting to their new reality; and charting their own paths in the face of parental sacrifice, immigration experiences, and peer pressure. InMosquita y Mari, Guerrero delivers an impressionistic meditation on desire, set in a vibrant Latino community, and emerges as an exciting new voice in American cinema.

Written by Bird Runningwater, Sundance Film Festival Archives

Daughters of the Dust is a drama about the struggle between tradition and progress. Set in the early 1900s, it is the story of the Pazants on the eve of the family's migration from their Sea Island home to the mainland, leaving their land and legacy behind. Nana Pazant, the eighty-eight-year-old matriarch of the family, fights to keep the family she raised together on the island to maintain the traditions handed down by her African ancestors. Eula, her granddaughter, is pregnant with the baby of a man whom her husband believes raped her. Haagar Pazant would like to throw off the traditions of the past for the opportunitites of the future which await her and her family in the North. She wishes to establish herself as the family matriarch of the New World. Cousin Yellow Mary has returned from Cuba "ruint." but on this eve of departure, she comes to reclaim her family place.

Daughters of the Dust is the first dramatic feature film to explore the traditions of the Gullah, the descendants of African slaves who once worked the indigo, rice and cotton plantations and later inhabited the many islands dotting the South Carolina and Georgia coastlines. These African Americans speak with a distinct accent known as "Gullah" or "Geechee."

Julie Dash has fashioned a dense drama about tradition and family, rich in cultural artifacts. Ms. Dash, herself a descendant of the Gullah, drew heavily from their oral traditions and extensively researched her ancestors for five years with the assistance of Geechee scholar Margaret Washington Creel. Thus, the film represents a historical document. The superb acting ensemble, all known for their work in other independent features, speak in the thick native accent, and the men communicate with complex Gullah hand signals. Daughters of the Dust is the work of an accomplished director who enlivens her research with expressive cinematic nuances. Slow motion, striking color, voice-overs, dreams and flashbacks enrich the drama, lending it a lyrical quality that is as unorthodox as the story.

Alberto Garcia, Daughters of the Dust: Institute History, Sundance Film Festival

http://history.sundance.org/films/609