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froggies315's picture

identity, identity, who am iiiii?

At the end of class today, Anne asked us whether or not Barbie should be held accountable for the the terrible things that happened in the physical world as a result of her dream world...after all, Barbie, like all little girls, was just fulfilling her dream of becoming a princess, and that dream was the product of a collective society.  I struggle to accept this line of thinking because it makes me feel powerless.

cchezik's picture

Pro and Con Groups DON'T POST TO THIS

Thursday Debate for 2rd Period Class

Pros

BMC: Sonia, Ellen, Christine, Rachel, Ambrosia

Parkway: Kapri, Fredrique, Tiana, Rita, Donae, Briana

Cons

BMC: Raminta, Will, Emma, Alice, Eva,

Parkway: Moesha, Markeyce, Jerron, Angel, Zamir, Dairian, Kendall

Friday Debate for 3rd Period Class

Pros

BMC: Hannah, Grace, Brenna, Jess, Farrah

Parkway: Emani, Laniesha, Baseemah, Michael, Shadirah, Saleema, Asia, Kelly, Charnelle, William, Travon

Cons

BMC: Yecica, Lindsey, Sarah, Kelsey, Roldine

Parkway: Jasmine, Zaneerah, Quadirah, Stephon, Sereanna, Tracey, Brandy, Sharock, Randall, Brittney

 

nmofokeng's picture

Ghana Study: Children's and Young Adult Literature

In our Ghana Study group we attempted to paint a picture of the evolution and current state of children's and young adult literature in Ghana. What we were in fact able to achieve was limtied due to  lack of specific information that was accessible to us on the scale of our small research project. There were some very interesting tidbits which emerged nonetheless particularly in learning about the structural and symbolic monopoly that prescribed school texts have on publishing prerogatives.

One of the main aims we had was to explore the presence and/or conceptions of culturally relevant content. This was the hardest factor to trace in the available literature. The information which was out there was often associated with very new initiatives or, rather interestingly, with the desire on the part of African American parents to find books about Africa for their own children. This made me rethink my own stance on the necessity of culturally relevant content because of questions such as "whose culture?" "relevant to whom?" These are important interrogations of what can at once be an important discussion of the lack of content produced by and for African audiences that gains wide circulation but also risks recreating the very problematic narrow definitions of what consitutes culture in Africa. The varying levels of modernization throughout the continent have fostered constantly evolving relations to culture as well as changing tastes. Failing to recognize this can cause us to gloss over the nuances of what might be recognized as culturally relevant.

et502's picture

NGOs in Ghana – intial reflections on group project & trip

While in Ghana, I couldn’t help but think about my group’s discussion of NGOs in Ghana and their work, and compare these things to the realities that we saw on the ground. I still have a lot of questions, but my post is long overdue, so observations + questioning will have to be sufficient for now!

During our project, one of the more resonant questions for me was, “How do NGOs collaborate and is this collaboration successful?” I think this question guided some of my observations during the trip.

 

Observations: Looking around the Dalun Youth Association (DYA) building, I saw some posters, asked some questions. All this happened very quickly, so I’m not 100% this is the correct information, but I’ll relay what I remember and wrote down.

DYA exists to bring the youth together – students gather here and “because they are together, they are stronger and can advocate for the needs of the community, what they see the community needs to develop” (field notes), like new roads to Tamale (which I would also advocate for, for both selfish and unselfish reasons). DYA uses sports as a tool for development – in this rural community, athletic competition is a perfect way to bring people together, both young and old. Once the people are gathered, the youth can spread their message of change. And this message is much more powerful coming from a vibrant, organized youth group.

MC's picture

Small Late Night Link Offering for 3/18/12

-Bitch is currently running a series of articles on their blog about fictional women in politics. Here are the first couple of articles. Considering our future discussions of conservative women in politics, I thought some of us might be interested to read them.

-Some more information about Pussy Riot, though admittedly not much more than what was presented in class. Here is their LJ, though it is in Russian so that is of debatable use to the class. This entry, however, is in English, apparently taken from an article when they were interviewed. They have a lot of comments on that entry, including more news clips of them. 

-Tigerbeatdown, the site I mentioned in class.

Amophrast's picture

Jack Halberstam's Gaga Feminism

Notes from Halberstam's lecture. In general, I found the material accessible and engaging, which is one of the reasons why I think referencing Lady Gaga worked well. However, it did seem very hard for people to separate Halberstam's use of the word ("reclaiming" of the word) "gaga" from Lady Gaga.

S. Yaeger's picture

Injecting some levity into a tense situation

http://www.colbertnation.com/the-colbert-report-videos/410720/march-15-2012/march-15--2012---pt--2

I thought the class might enjoy the above video clip from the Colbert Show.

kwyly's picture

Children's Literature in Ghana

This post is to reflect on the process of researching children's literature in Ghana and share what this research project has taught me. Besides the obvious process of learning something new about a country I was generally unfamilar with, this project gave me a chance at reimaging literacy from a different point of view. I found it difficult not to compare my own life as a child with the children who were reading the literature that we researched. Until recently, children's literature in Ghana was imported from other countries and featured characters that were completley dissimilar from the readers. Children who wanted to read or who were told to read had no choice of what they would like to read; they associated books with only having characters that were unlike them. Relating to the content of the story was difficult and encouraged these children to think in a way that devalued their own identity because of the emphasis on other stories.

aybala50's picture

Lesbian, man, woman...what?

I find myself stuck on the idea of trying to figure out Callie's/Cal's gender and sexual orientation. I've been having a hard time trying to figure out how to think about Cal without worrying so much about how he was raised as a girl and is now a man. Despite the fact that I knew that Cal was intersexed from the beginning of the book, I don't believe that I questioned Cal's gender until the moment that the book started to question it. Before this journey into Cal's sex and gender started taking place, I was under the impression that Callie was a young girl who might possibly be attracted to other women. Starting with her first kiss with the girl next door to her obsession to her best friend's body made me think that Callie could be a lesbian. 

I don't feel comfortable trying to 'figure out' Cal's sex, gender, or sexual orientation or his reasoning behind them. Cal was aware of his attraction to women before visiting the doctor, but did he question his gender? Does this matter? Why does this book that is about so much (history, Greek family, gender roles, immigration etc.) focus on Cal's intersexuality and why does it have to conclude with a definite gender. I feel that Cal was forced to decide on his gender. I think that Middlesex is a great example of the forcing of individuals into categories, whether it be gender, sex, sexual orientation etc. 

HannahB's picture

Ghanaian Early Childhood Literature-group project reflection

The component of my group project on Ghanaian children's literature that I found most provactive returned to the notion of identity that we have already touched on throughout the semester. In researching the growth of children's literature in Ghana, the same emphasis on the necessity of familiarity came up. For too long, Ghanaian children, if exposed to age-appropriate literature at all, were confronted with stories of white children, apples, rain and snow--stories that in no way related to their own experiences. The content was irrelevant to their lives. Beyond the simple misfortune of this fact, I am sure such books were entirely confusing as well.

I tried to convert this issue of identity and accuracy to my own life. But as a white, middle class girl, the content of the literature I read was never an issue. The characters looked like me, talked like me, lived in houses like me and even faced the same challenges I did. The stories I read as a child acted as an affirmation of my life, proof that my appearance and experiences were shared and "right."

I wonder then, just what the impacts of irrelevant literature have on children. On the one hand, as mentioned, I think the affirmation of experience is entirely important at a young age. On the other, exposure to other lifestyles is beneficial. Ultimately, I think it can be agreed upon that a mesh of both is ideal. Yet for too many children in Ghana this was not an option.

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