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Post-Discussion Ramblings
Is it just me?
I am still working to finish up Middlesex and I'm very much enjoying this journey. However, I can't stop thinking about the way in which Cal's gender and his intersex body are presented in this book. The story of his ancestral line including incest, multiple times, and the way in which Desdemona has feared for so long that because of this something will be wrong with each birth makes Cal seem like that "punishment". Is Cal's intersex body being presented as a crime of unmoral or sinful behavior? Am I incorrect in feeling that Cal's body is being framed as a result of incest?
WAR OF THE WORLDS DOWNLOAD!
http://www.archive.org/details/OrsonWellesMrBruns
Rather than listen to the War of the Worlds in 7 parts over YouTube, I've provided the link above so that you can download it into an mp3 file. (I couldn't seem to get my copy up on Serendip...) You can either just stream it straight off the web (for the entire 59 minutes and 19 seconds) or download it and listen to it on the treadmill. (Which I did the first time I downloaded it ;) )
Hope this is helpful!
Queer Homeless Youth: Film Screening of Queer Streets TONIGHT
Tuesday, March 13th
7-9 PM
34th and Walnut | Fisher Bennett Hall Room 401
Free and open to the public! Food will be provided.
Persepolis In Pictures
I found this review for the film, Persepolis and what really caught my attention was the section that says:
If “Persepolis” had been a conventional memoir rather than a graphic novel, Ms. Satrapi’s account of her youth in pre- and post-revolutionary Iran would not have been quite as moving or as marvelous. Similarly, if the movie version had been conventionally cast and acted, it would inevitably have seemed less magical as well as less real.
I can't help but wonder why the conventional memoir wouldn't be as moving as a graphic novel and why a conventional movie, rather than an animated one, would have seemed "less real". I've always equated images and animation with fantasy, rather than realism. But I also find myself agreeing with the point that Scott puts forth.
I'm not even sure why that is but I wonder if anyone has a response? Is it because of the nature of the narrative? Or is it because Persepolis has already been written in the form of a graphic novel that conceiving it in any other way seems difficult?
English Lab? - I've been inspired.
So, I've been interning this week for a publishing company called, Just World Books, LLC. I was lucky enough to secure this position through Bryn Mawr's externship program and fortunate enough to be welcomed by the company's wonderful founder Helena Cobban.
Perhaps this is still premature, because on my limited experience, but publishing seems right for me. I want to share this with you all since, first off, this is an English class, and second... there is so much I was unaware of, and this whole experience has got me thinking about English as a profession.
Most people won't admit it, but we very often claim to know more than we do. We nod our heads, pay close attention and interject when it seems safe. This is helpful in many situations, and I'm glad I've learned to do it. After all, "knowing" is a key to gaining opportunities- a necessity when trying to climb whatever ladder you set before yourself. But anyway, there comes a time when "knowing" can only take you so far. Eventually, when it comes time for you to take the reigns, asking questions is more important than just saying "yes". We've all heard this before and it seems obvious, but practice in doing is very different than learning how to appear knowledgeable. A fact that hit me like a hammer this week when I learned where ISBN numbers come from! Did you know you have to buy them? Anyway…