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phu's picture

Education map-1

jmorgant's picture

Living The Good Lie

In our discussion of Mimi Swartz’s “Living the Good Lie,” we talked about what resulted in, for these men, the inability for the coexistence of homosexuality and devotion to religion. Judith Glassgold, the chair of a taskforce on LGBT issues from the American Psychological Association, stated in an interview for the article, “Among therapists — both among gay activists and the religious — we can have a discussion. We all agree that arousal and orientation are not under someone’s volition. What we can work on is self-acceptance, integration identity and reducing stigma.” I continued to think about whether homosexuality and religion are necessarily mutually exclusive, or rather if there are ways in which the two can coexist within an individuals’ identity. I kept thinking back to interviews that I’ve conducted with scholars in Argentina regarding their passage of same-sex marriage legislation. One of them, Daniel Jones, explained to me that evangelicals weren’t ubiquitously opposed to the bill. I found a paper he recently wrote where he lays out some of the tactics used by various evangelical groups to approach homosexuality. One strategy in particular stood out to me; the Evangelical Church of the Río de la Plata published a document in 2000 stating that the sexual orientation of a person is fixed and predetermined; homosexuality is a concept from the nineteenth century that, as a word, never appears in the original words of the Bible.

Chandrea's picture

My Access to Education Map

Utitofon's picture

Mfon's Education Map

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Chandrea's picture

My Access to Education Map

My friend Midley deserves credit (I borrowed her markers) so she's in the picture too!

snatarajan's picture

Snapshots Through my Education

Honk. Honk. 

Eyes open just as the sun comes up. The big sunshine yellow bus sits, waiting for me as I pull the velcro on my shoes snugly across the tops of my little feet, pink Barbie backpack hung neatly over my shoulders. 

I blink and I am in the middle of Ms. Thomas' classroom, showing off my latest story to the class. This time its about the dinosaurs that tried eating my dog for breakfast.

I blink and I am walking down the corner, to all the third classrooms. As a measly second grader my knees start to shake, but then I remember my duty as the official mailwoman of Dutch Neck School, and I march on fearlessly.

I blink and I am finally in third grade, waiting to move onto bigger and better things. It is the last time I shake hands with Mr. Grabell on my way out to catch the bus...

I blink... and my two years in upper elementary blur together, not quite making sense, but only evoking the excitement of finally becoming a middle schooler.

I blink and I am in a sea of braces and glasses. While the pigtails have started to go away, I see Ugg boots and mini skirts take its place. But I was too busy with my math book under my nose to really pay attention to that.

I blink and my years as a middle schooler come to a close and I walk down the aisle of teachers, reaching their hands out to congratulate me and the 364 other students in my class.

Just as I blink, I am walking down the halls of High School North, so used to being at the top, that this idea of listening to the seniors makes no sense.

j.nahig's picture

My Education Access Map

Hey everyone!

Sorry this is a little late -I've been wrestling with the formatting of this for over two hours. I did this on software that was extremely hard to convert to anything sensible/anything this website wanted to accept. I'm not sure if this is going to work....it might not. If it doesn't, I'm REALLY sorry.

I'm going to figure out how to fix it for Tuesday's class...sorry again everyone! I can't wait to browse other peoples' maps :)

 

Jess

P.S. I'm crossing my fingers this works....

Utitofon's picture

Mfon's Education Map

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AmyMay's picture

Making Disability "Palatable"

In reading through the notes for the “Cripping Sex and Gender” disability panel, I came across class notes from when Kristin taught the course that included images of Aimee Mullins (/exchange/courses/gas/f09/archive/15).  I was struck by these images, and reminded of Wilchin’s discussion of the gender in relation to sexuality and the gay movement- how the gay rights movement has tried to “normalize” homosexuality by presenting with the idea that gays and lesbians are just like everyone else (i.e. the image of the monogamous, masculine (but not too masculine) gay couple with two dogs and a house with a white picket fence.)  Wilchins argues that though these images have had success in bringing homosexuality into mainstream culture, they ultimately fail to challenge the underlying issue- gender.  Creating this new, more “palatable” gay failed to challenge the underlying gender stereotypes that form the foundation of sexual-based discrimination.

 

lwacker's picture

Response to "Cripping Sex and Gender"

After reading "Cripping Sex and Gender": Expandng Forums of Representation in conjunction with Clare I've re-realized that many of the images I hold up as valid, beautiful, strong represenations of visual culture are exclusive, prejudiced representations of an ableist society looking to perpetuate the images of those who are normal bodied. 
Reading Emily Bock's contribution to the panel reminded me of a very powerful, moving and poignant series by a famous American feminist artist Hannah Wilke. Wilke was often cited and claimed by the women's liberation movement of the 1960's while simultaneously rebuked by some feminists for using herself as a model for many of her works and glamorizing herself in order to attract male attention and sell more of her art pieces.
What intensified her conflicted past was her doubling or addition, as introduced by Kristin Lindgren, as a woman, a woman artist, as a feminist and as someone with an illness. The concept of doubling seems to be a serious double edged sword, something that could reduce individuals to simply their identifiers. But Wilke took on the academy of history of art, its entire legacy, her cancer and her career with her final series intra-venus (I think it was actually published post-humously too). I added the link below to see some of the photos and works in the series.
http://www.feldmangallery.com/pages/exhsolo/exhwil94.html
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