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Feminist Drama

Notes towards Day 24
Critical Feminist Studies

Feminist Drama:
"The Heidi Chronicles"



I. coursekeeping and announcements

"Vesuvius @ Home": Lesbian-Feminist Readings of Poetry and Life

Notes towards Day 23
Critical Feminist Studies

"Vesuvius @ Home":
Lesbian-Feminist Readings of Poetry and Life



"lesbian/feminist criticism...will ask how she came to be for-herself and
how she identified with and was able to use women's culture, a women's tradition;
One Student's picture

see minotaur

PART ONE

Herm

the mutilation of the corpus which bore me

Academic writing raises questions and answers them, with an aim to be definitive. Personal writing tells a story but raises no questions. Hermaphroditic writing raises questions … and ends paragraph with questions marks?

Paul Grobstein's picture

Exploring the unconscious empirically

A csem student this year came up with an interesting project to look at people's unconscious evaluations of things along a female/male axis, which in turn reminded me of some earlier thoughts of my own about how to explore the unconscious evaluations of beauty.  For myself, and any one else interested, here's a link to the student project and some thoughts of my own about how to do a relevant data analysis.  My hunch is there is some serious work to be done along these lines that would combine acknowledgement of the grist from which conscious stories are made and of the diversity of human experiences.  My bet, as developed in part in csem discussions, is that people are substantially less similar in their unconscious processing than it app
tbarryfigu's picture

Illustrating Feminism, What's In The Works

 When I close my eyes and think “feminism,” I don’t think as a feminist; That is to say, I don’t close my eyes and think as I did before. Instead, I see color, texture, and light. I see the physical materialization of a movement, of a driving and ever-present force. The struggle to make sense of these colors and textures is one that I feel significantly shapes my definition of the summation of values held by feminists all over the world. I find that I cannot separate thoughts of past and current female oppression from the bright flashes of red gritty paint that manifest themselves in my mind’s eye. I cannot read a text about identity and womanhood without sculpting the female identity in my thoughts.

Abby's picture

Making Sex Untouchable

* This draft is rather incomplete.  I'm hoping to add more as I continue working... 

 

Abigail Sayre

Intro to Critical Fem. Studies

Anne Dalke

smigliori's picture

Gender: San Francisco Has The Right Idea

Registering to vote, setting up a myspace account, and walking into almost any public bathroom all have one thing in common: they each require the individual to declare their gender and/or sex identity. For most people, this may not seem to be a cause for alarm; society trains everyone to express a specific gender identity (either “masculine” or “feminine” based on whether their genitals are “male” or “female”) from their birth. These gender identities make it easy to determine whether one has male or female genitals, therefore allowing the heterosexual “norm” to easily prevail by simplifying the policing of other

kwheeler's picture

A feminist critique of documentary film

Intro to Critical Feminist Studies: Web-paper 3

llauher's picture

Bryn Mawr Boys

Louisa “Weezie” Lauher

November 21, 2007

Critical Feminist Theory

Paper Draft

 

 

Bryn Mawr Boys

Transgender Feminism at Bryn Mawr College

Introduction of Goals

matos's picture

15 Step

Nicole Matos

Critical Feminist Studies

21 November 2007

The Hardest Button to Button

Restatement of Proposal

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