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Utitofon's picture

Mfon's Education Map

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Chandrea's picture

My Access to Education Map

My friend Midley deserves credit (I borrowed her markers) so she's in the picture too!

snatarajan's picture

Snapshots Through my Education

Honk. Honk. 

Eyes open just as the sun comes up. The big sunshine yellow bus sits, waiting for me as I pull the velcro on my shoes snugly across the tops of my little feet, pink Barbie backpack hung neatly over my shoulders. 

I blink and I am in the middle of Ms. Thomas' classroom, showing off my latest story to the class. This time its about the dinosaurs that tried eating my dog for breakfast.

I blink and I am walking down the corner, to all the third classrooms. As a measly second grader my knees start to shake, but then I remember my duty as the official mailwoman of Dutch Neck School, and I march on fearlessly.

I blink and I am finally in third grade, waiting to move onto bigger and better things. It is the last time I shake hands with Mr. Grabell on my way out to catch the bus...

I blink... and my two years in upper elementary blur together, not quite making sense, but only evoking the excitement of finally becoming a middle schooler.

I blink and I am in a sea of braces and glasses. While the pigtails have started to go away, I see Ugg boots and mini skirts take its place. But I was too busy with my math book under my nose to really pay attention to that.

I blink and my years as a middle schooler come to a close and I walk down the aisle of teachers, reaching their hands out to congratulate me and the 364 other students in my class.

Just as I blink, I am walking down the halls of High School North, so used to being at the top, that this idea of listening to the seniors makes no sense.

j.nahig's picture

My Education Access Map

Hey everyone!

Sorry this is a little late -I've been wrestling with the formatting of this for over two hours. I did this on software that was extremely hard to convert to anything sensible/anything this website wanted to accept. I'm not sure if this is going to work....it might not. If it doesn't, I'm REALLY sorry.

I'm going to figure out how to fix it for Tuesday's class...sorry again everyone! I can't wait to browse other peoples' maps :)

 

Jess

P.S. I'm crossing my fingers this works....

Utitofon's picture

Mfon's Education Map

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AmyMay's picture

Making Disability "Palatable"

In reading through the notes for the “Cripping Sex and Gender” disability panel, I came across class notes from when Kristin taught the course that included images of Aimee Mullins (/exchange/courses/gas/f09/archive/15).  I was struck by these images, and reminded of Wilchin’s discussion of the gender in relation to sexuality and the gay movement- how the gay rights movement has tried to “normalize” homosexuality by presenting with the idea that gays and lesbians are just like everyone else (i.e. the image of the monogamous, masculine (but not too masculine) gay couple with two dogs and a house with a white picket fence.)  Wilchins argues that though these images have had success in bringing homosexuality into mainstream culture, they ultimately fail to challenge the underlying issue- gender.  Creating this new, more “palatable” gay failed to challenge the underlying gender stereotypes that form the foundation of sexual-based discrimination.

 

lwacker's picture

Response to "Cripping Sex and Gender"

After reading "Cripping Sex and Gender": Expandng Forums of Representation in conjunction with Clare I've re-realized that many of the images I hold up as valid, beautiful, strong represenations of visual culture are exclusive, prejudiced representations of an ableist society looking to perpetuate the images of those who are normal bodied. 
Reading Emily Bock's contribution to the panel reminded me of a very powerful, moving and poignant series by a famous American feminist artist Hannah Wilke. Wilke was often cited and claimed by the women's liberation movement of the 1960's while simultaneously rebuked by some feminists for using herself as a model for many of her works and glamorizing herself in order to attract male attention and sell more of her art pieces.
What intensified her conflicted past was her doubling or addition, as introduced by Kristin Lindgren, as a woman, a woman artist, as a feminist and as someone with an illness. The concept of doubling seems to be a serious double edged sword, something that could reduce individuals to simply their identifiers. But Wilke took on the academy of history of art, its entire legacy, her cancer and her career with her final series intra-venus (I think it was actually published post-humously too). I added the link below to see some of the photos and works in the series.
http://www.feldmangallery.com/pages/exhsolo/exhwil94.html
LittleItaly's picture

The Break Down of my Access Map

Home:

Born July 20, 1993. I grew up in a two parent household as an only child. My parents were very involved in my early education, reading to me  and playing board games with me. My parents held positions on the PTA at my elementary and middle school. Between home and school there was an open dialect between my parents and teachers until high school.

 

School:

lwacker's picture

Response to "Cripping Sex and Gender"

After reading "Cripping Sex and Gender": Expandng Forums of Representation in conjunction with Clare I've re-realized that many of the images I hold up as valid, beautiful, strong represenations of visual culture are exclusive, prejudiced representations of an ableist society looking to perpetuate the images of those who are normal bodied. 
Reading Emily Bock's contribution to the panel reminded me of a very powerful, moving and poignant series by a famous American feminist artist Hannah Wilke. Wilke was often cited and claimed by the women's liberation movement of the 1960's while simultaneously rebuked by some feminists for using herself as a model for many of her works and glamorizing herself in order to attract male attention and sell more of her art pieces.
What intensified her conflicted past was her doubling or addition, as introduced by Kristin Lindgren, as a woman, a woman artist, as a feminist and as someone with an illness. The concept of doubling seems to be a serious double edged sword, something that could reduce individuals to simply their identifiers. But Wilke took on the academy of history of art, its entire legacy, her cancer and her career with her final series intra-venus (I think it was actually published post-humously too). I added the link below to see some of the photos and works in the series.
http://www.feldmangallery.com/pages/exhsolo/exhwil94.html
Kim K's picture

Complicated identities

Last week in class we discussed the article "Living the Good Lie" about homosexual men living outwardly as straight men, with wives and children. One of the driving forces behind their decisions to do this was that while they recognized their inward identity as being gay, their greater identity emphasis was on being religious. These men were willing to compromise their homosexual identity in favor of their (stronger) religious identity.

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