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Precarious and Performative Play 2011 - Our Final Set of Web "Events"

Welcome. Below find a list of webpapers emerging from Precarious, Performative, Playful, Potential...Perspectives on Sex and Gender, an interdisciplinary course offered at Bryn Mawr College in Fall 2011. To conclude the "epilogue" of the course, "Moving On-and-Out From Here," students are here expanding on one of their earlier projects.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you ... what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of a thoughtful conversation about precarious, performative, playful, potential ... perspectives on sex and gender ?

alice.in.wonderland"Poetry Is Not A Luxury:" Thoughts on Writing for Social Change
AmophrastFinal Webpaper
AmyMayConsent is Sexy in pictures
AmyMayReflections on the Consent is Sexy Campaign: Moving Forward, Looking Back
aybala50At Bryn Mawr: Exploring Transgender Further
charlieThe Arc: An Exhibit on Right Relationships
chelseamMapping Entanglement: Witnessing and Acting in our Built and Natural Environments
essieteeWe're The Song Inside The Tune, Full of Beautiful Mistakes
GaviThe Groundings of a Commonwealth: Workshop on Forging Environmental Ethics Through Reading and Telling Stories
jfwrightThe Stories We Tell Ourselves: A Continuation of Web Event #2
jmorgantSexual Misconduct Policy Reform at Haverford College
KammySex and Gender Flowchart
Katie RandallShifting Standards of Care and Right Relationships
Kim Kun-conventional learning
leamirellaCampus Media and Right Relationships: Allowing the Student Body to Appear
lgleysteenDisruption in the Interpretation of Embodied Symbols
lwackerOrange Alert Extended.
phenomsA Community's Right Relationships: Urban Gardening
rachelrIdentifying Similarities and Differences
S. YaegerReconsidering Women's Colleges Through Butler, Barad, Kaleb, Dalke, and Ourselves.
sel209Entangling and Enabling: A handbook for BSA that encourages right relationships despite a disabling culture
ShlomoMale Athletes and Rape Culture: Structural Violence in the World and at Haverford (TRIGGER WARNING)
someshineSpeak About It Advertising Campaign - A Work In Progress
venn diagramPregnancy and Parenting Education Reform

 

Precarious and Performative Play 2011 - Our Second Set of Web "Events"

Welcome. Below find a list of webpapers emerging from Precarious, Performative, Playful, Potential...Perspectives on Sex and Gender, an interdisciplinary course offered at Bryn Mawr College in Fall 2011. To conclude the second "act" of the course, "De/Meaning Sex and Gender," students are here explaining to a specific audience what's important about some dimension of the biology of gender or sexuality.

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of a thoughtful conversation about the biology of gender and sexuality?

alice.in.wonderlandAnd Tango Makes Three: Making Sense of the "Gay Penguin" Controversy
Amophrast Humans Caged like Animals in Zoos Nationwide!!! Promoting the Study of Humans as Animals
AmyMayBiological Discourse and Rape Culture at Haverford College
aybala50All "Women's" College
charlieDear Middleschoolers, Love, Charlie
chelseamGender and Sexuality in the High School Biology Classroom: Fostering Critical Thinking and Active Engagement
essieteeYou Went To School To Learn, Girl, Things You Never Ever Knew Before
GaviThe Rainbow of Sex Difference: A Snippet from a Preteen Health Book
jfwrightThe Stories We Tell Ourselves: The Beginning of a Book about Sex and Gender for Trans* and Intersex Kids
jmorgantA response to “Miss Representation 8 min. trailer:” Changing gender stereotypes by increasing visibility of female athletes
KammySex and Gender Flowchart
Katie RandallPresenting on Intersexuality-- A Template
Kim KReel Queer: A Movie Lover's Look into Films Dealing with LGBT Issues
leamirellaPublic Sex Education in the Philippines
lgleysteenGay Marriage and Reproductive Options: An argument for Gay Marriage
lwackerUncovering the Cover-up: Gay Animals are in the Zoo too.
phenomsLesson Plan : Intersex
rachelrWhat Makes Us- a response to Jordan-Young
S. YaegerAn Open Letter to The ISNA Regarding How Discussing Intersex Is Vital to Our Understanding Of Gender Identity and Vice Versa
sel209"Dex" and Diversity
ShlomoMommies, Daddies, Families
someshineYou need to learn a lesson, Alison. Love, A
venn diagramPublications from Pregnancy Education Reform

 

Precarious, Performative, Playful, Potential ... Perspectives on Sex and Gender, 2011: Our First Set of Web "Events"

Welcome. Below find a list of webpapers emerging from Precarious, Performative, Playful, Potential...Perspectives on Sex and Gender, an interdisciplinary course offered at Bryn Mawr College in Fall 2011. To conclude the first "act" of the course, "Dis/Ability and Intra-Action," students are exploring here their current understandings of what it might mean to en-able intra-actions among gender, sexuality, disability studies and/or....?

Take a look around, and feel warmly welcome to respond in the comment area available at the end of each paper. What strikes, intrigues, puzzles you...what, among your reactions, might be of interest or use to the writer, or others in the class, or others who--exploring the internet--might be in search of a thoughtful conversation about gender and sexuality studies in intra-action with other fields of study?

alice.in.wonderland"Descanting on Deformity:" A Gender/Disability Look at Shakespeare's Richard III
Amophrast(In)visibility with Sex, Gender, and (Dis)ability: Correcting Images
AmyMayDiffracting and Entangling System-Correcting Praxis
aybala50A Dream Within a Dream
charliePortraying the Naked Woman
chelseamClaiming the Stare: Jes Sachse and the Transformative Potential of Seeing
essietee“Y’know what they call a unicorn without a horn? A friggin’ horse.” - Disability, Sexuality, and Passing in Glee
GaviVoicing Rhetorics of Beauty
jfwright"Called Me Crazy": Insanity and Non-Normative, Butch Identities
jmorgantRedefining Difference: The Emergence of the Disability Movement
KammyFinding “Home”: The Gay Evangelical Body
Katie RandallMedical Authority in the Discourses of Disability and Transsexuality
Kim KOut of the Closet: Fashion's Influence on Gender and Sexuality
leamirella"You-Topia" And What It Means To Be At "Home".
lgleysteenNonverbal Communication as an Unclear Symbol of Gender and Identity
lwackerInter-acting with Art, Nina Berman's "marine wedding"
phenomsCulturally constructed sexuality
rachelrThe Medical Treatment of… gayness?
S. YaegerChallenging The Idea of Independence As A Desirable End
sel209Grey Matters: Age as Disability through the Lens of Sexuality
ShlomoA Modern-Day Lysistrata: Sex Strikes, Diffraction, and Enabling Disability
someshineWho was Ssehura/Sartjee/Saartje/Saat-je/Saartji/Saat-Jee/Saartjie/Sara(h) ?
venn diagramThe Perils of Passing as Explored by the Works of Frances Negrón-Muntaner and Alberto Sandoval-Sánchez

 

Been a Long Time Leaving

Rob Goldberg

Struggling to think of an apt high-school yearbook quote, I suggested Waylon Jennings’, “I’ve been a long-time leaving but I’ll be a long-time gone,” but my mother instead convinced me to use Dickens’, “It was the best of times. It was the worst of times.”  At the time I said something like, “I guess that’s a better quote, Mom” and went on my way.  Now in the hindsight of 28 years of experience, my eyes involuntarily fill with tears every time I revisit this moment.  That one word “worst” covers a lot of ground.

In his late 60s, my father suddenly decided to stop drinking after having consumed obscene amounts of hard liquor on a daily basis for the previous 30 years or so. In short, he had been a hard-core alcoholic, although none of us in the family connected with that fact. As is usual in such situations, my mother went along for the ride. Looking back it was pretty obvious what was going on – the constant supply of jumbo jug-sized wine and booze bottles, my mom tripping coming out of the state store and breaking her ankle, the constant, general state of disinhibition and confusion.

People whose parents weren’t alcoholics, lucky folks, sometimes ask, “What was it like for you?” I usually answer that I have several “screen” memories of my early childhood, most of which focus on blissfully happy times contrasted with sudden outbursts of extreme violence perpetrated by my father.

Breaking: A Life Story in 10 Fragments

Anne Dalke

 

1. Daybreak

On the night before Easter, 1981--late, too late--I got a phone call. My younger brother Chip had been in a car accident. He was not conscious. The next call came early Easter morning. He was not responsive. I called again. The nurse, who knew me from home, said, "Anne, I don't think he's going to make it."

 

I went to my husband, who was caring for our daughter. Standing beside her changing table, looking out the window--this was a West Philadelphia row house, we could not look far out--looking at her, not looking at him, I whispered, "I'm afraid he's going to die." Jeff said, "He can't die. He won't die." He said this with certainty, and I took comfort from his assurance. So when I got the next call, I couldn't understand what I was hearing. I asked, dumbly, "Is he DEAD?" My mother, dully: "Oh, yes. He is dead."

 

This is (certainly one reason) why I teach the way I do—because once I was comforted by that which was not true, by a comfort that turned out to be no comfort at all. "He can't die." Oh, yes he could. I think that, in my teaching, I refuse such false comfort, am impelled by the hope that I will not be surprised again, by facts I do not have. (Or: facts I have, but am not willing to face. Facts others have, but will not speak. Chip was dead when I spoke with the nurse. But she did not think she should be the one to tell me.)

 

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In Class/OutClassed: Instructions for Weekly On-Line Postings



To register for a Serendip account,
* go to the course webpage
* click on the Login link (top, right of page), then
* click on Create New Account;
* you MUST use your bi-college e-mail address
* but your user-name doesn't have to be  your name

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In Class/OutClassed: Instructions for Preparing Your Final Web Portfolio


In this web portfolio, due by 12:30 on Friday, December 16,  we are asking you to reflect on the written and spoken work you have done for this course. This process invites you to chronicle what has happened in your evolution both as a writer and a speaker in class, and to contribute to and assist us with the evaluation of your work. So--

Welcome to the Digital Humanities!



The Digital Humanities constitute a paradigm shift in the field of literary studies, attending to practices and qualities in any medium, reaching beyond print in modes of inquiry, research, publication, and dissemination. In this "massive theoretical shift in textual studies," print is absorbed into new hybrid, multimodal communication practices: time-based forms (film, sound, animation), visual traditions (graphics, design), spatial practices (architecture, geography), and curatorial practices (museums, galleries).

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