According to Kathryn Vogel in the MIT course on Gender and Technology,

Alicia Kaestli, in the MIT course on Gender and Technology,

reads Shelly’s text as a comment on reproductive technology.... This theme is similar to feminist’s opinion on reproductive technology in the 1980s and 1990s...  initially uncertain of the effects of reproductive technology.... "patriarchal control of women’s’ bodies achieved through medicine.” Nevertheless, there was enthusiasm in the feminist field about the use of reproductive technologies ....

Juliann Reardon followed the same theme:

According to Kameron Klauber, in the MIT course on Gender and Technology,

Panel 1: Introductions

Vgaffney: representing psychiatrists in 21st century. It’s a relatively new field that bridges an interesting gap between social and natural sciences. Physics in imaging of mapping brains and medications (chemistry), biology and anatomy, studies and statistics about how many women in the field 20% in 70s to this field is said to be more suited to women

Note for 3/30

Skyping with MIT’s biological engineers

-       Intrinsic value of human beings

Paper due at midnight on Friday

-       Theorizing the experiences on the panel

-       Or a creative piece

Panel discussion

GIST 3.30 Panel Discussions

GROUP TWO (LIZ)
spreston: facebook users- using technology to create identity and how it changes social interactions. According to news articles, people are having facebook depression. Information, gender roles & binaries interest

 MSA322: music in Arabic revolutions- from experience growing up in Arabic world, music usage has varied in reaching out to western world when communicating. Most singers are male, but when females are included in this revolutionary method, it’s more powerful, decode music to get message out

I thought others might enjoy images from a 2010 exhibit at Princeton called "Art of Science". They're really quite fascinating and beautiful.

From the "About" page:

"The Art of Science exhibition explores the interplay between science and art. These practices
both involve the pursuit of those moments of discovery when what you perceive suddenly
becomes more than the sum of its parts. Each piece in this exhibition is, in its own way, a
record of such a moment.